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Edição nº6
The eye, its powers and the photographic camera: 19th century ideas of "automatism" Versão para impressão E-mail
Autor: Margarida Medeiros   
The History of Photography has been selecting photographs that in some way fit within western erudite cultural tradition. They correspond to patrons of reception, organization and cataloguing, which depend upon that tradition. This patrons tend to underline representational tradition centered in renaissance perspective, and are supported by a rationalist discourse that also selects rational discourses about photography, locating this last one in a sort of continuum within the history of "art".

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