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...Do participatory art forms and relational aesthetics constitute a background for the growingly interactive culture of today? Do they express the same ideals or are they different ideologies? Why is mo...

...lue. It will be the same sense of value that allowed Benjamin to argue that ‘there is no document of culture which is not at the same time a document of barbarism’.[6] History therefo...

...jun (1990), “Disjunctive and difference in the global cultural economy”, em Featherstone, M. (ed.), Global Culture: Nationalism, Globalization and Modernity, London, Sage. Appadurai, Arjun...

4. The Erlebnis of New Reading
(Edições/Edição 11)
... Johann Wolfgang von Goethe [1] Literature is an element of culture that throughout times has changed and adapted itself to the different technological m...

...agmente). Rio de Janeiro, Jorge Zahar Editor (1985), 254 pp. ADORNO, Theodor W. (1991). Culture Industry Reconsidered. In The Culture Industry: Selected Essays on Mass Culture. Lond...

...s is what I call the outside-in view of history.[1] Also, in the History of Photography’s culture there are not just photographs. A lot of expectations, fantasies, deliriums, inspired...

7. Before and After Cyber
(Edições/Edição 5)
...he Matrix», in Tofts, Darren; Jonson, Annemarie e Cavallaro, Alessio (orgs.), 2002, Prefiguring Cyberculture : An Intellectual History, Cambridge (MA) e Londres, The MIT Press, pp. 12-27. ...

8. Controlo e Descontrolo do Imaginário
(Edições/Edição 1)
...desde o frigorifico ao corpo. Sobre a nova importância dos interfaces, cf. Steven Johnson, Interface Culture: How New Technology Transforms the Way We Create and Communicate, NY, Basic Books, 2e...

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