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Autor: Maria Teresa Cruz
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30-Jul-2010 |
Abstract:
[1] Do participatory art forms and relational aesthetics constitute a background for the growingly interactive culture of today? Do they express the same ideals or are they different ideologies? Why is modern and contemporary culture so concerned with the spectator, be it the art lover, TV audiences, or internet users? Why, in spite of their different scopes, are media (art included) so interested in the activation and mobilization of the receiver? Mass media culture secretly dreamed of the full presence and commitment of the spectator, boldly proclaimed as partner by modern and contemporary art and finally given effective participatory tools by digital culture. Are we truly becoming a society of producers and creators? Or rather a different type of consumers? What is the role of art in the era of the new culture economy, where creativity equals capital?
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[1] The International Journal of the Arts in Society, Volume 4, Illinois, USA, Common Ground Publishing LLC, 2009, ISSN 1833-1866, http://www.arts-journal.com.
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Autor: Andrew Benjamin
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06-Ago-2009 |
Just as a man lying sick with fever transformed all the words which he hears into the extravagant images of delirium, so it is that the spirit of the present age seizes on the manifestations of past or distant spiritual worlds, in order to take possession of them and unfeelingly incorporate them into its own self-absorbed fantasizing.
Walter Benjamin, The Origin of German Tragic Drama. Page 53
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What does it mean to evoke ‘life’? Life is initially present as a generality, one that is often effaced the moment it is announced, an effacing that occurs once there is the positing of ‘mere life’. And then, in contradistinction to that limitation, though perhaps it is a delimitation of a version of the lived, there is the ‘living’. The latter is a further registration of ‘life’, one allowing for an additional qualification that does itself result in the identification of the ‘soul of the living’.
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Autor: Figueiredo Santos
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01-Abr-2008 |
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Resumo
Com este artigo pretende-se sistematizar algumas mudanças na função seminal da cultura, associadas aos seus modos de apropriação pela intermediação turístico-cultural.
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